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An art-filled road trip from Chicago to Detroit

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To drive through Detroit is to move through a landscape shaped by both its storied industrial legacy and its long-standing creative community, where generations of artists have turned the city’s factories, urban prairies and waterfront into a living canvas.

The third installment of the WBEZ and Chicago Sun-Times visual art road trip heads east to Detroit and its smaller neighboring cities, where the materials of the past — steel, brick, salvaged wood — aren’t just inspiration but building blocks in a vibrant cultural landscape.

DEARBORN: Arab American Heritage and next-level cashews

Before delving into Detroit, first stop in Dearborn, a suburb that offers a cultural experience rooted in industrial history and Arab American heritage.

The Henry Ford Museum of American Innovation houses iconic objects from American life. “It’s just huge, like the size of an airplane hangar,” said Shelley Selim, the Mort Harris Curator of Automotive, Industrial and Decorative Design at the Detroit Institute of Arts. “There’s a Buckminster Fuller Dymaxion House there, and the Eames ‘Mathematica’ exhibition that they designed for a World’s Fair for IBM.” Next door, Greenfield Village recreates streetscapes from centuries past, with historic homes, steam engines and a glassblowing studio where visitors can watch artists at work.

Arab American communities have been rooted in east Dearborn for more than a century. Many families arrived in the early 20th century to work for Ford and other automakers. In 2023, it became the country’s first city with an Arab American majority.

AlTayeb remains a favorite for Lebanese breakfast platters. The fatteh stands out — layers of toasted pita, chickpeas, warm yogurt, pine nuts and olive oil. Portions are generous; flavors are bold, earthy and bright. For a hearty lunch, try the combo platter at James Beard Award-winning Al Ameer, which includes a generous spread of chicken tawook, lamb kofta, shish kebab, falafel and perfectly fluffed rice.

Before leaving town, Hashem’s Nuts & Coffee Gallery offers a fragrant stop. Shelves are packed with Middle Eastern spices, roasted coffees, and hard-to-find blends like ras el hanout. Selim makes regular trips to the shop where she stocks up on jumbo Brazilian cashews.

DETROIT: A city of space, memory and imagination

The Detroit Institute of Arts (DIA) houses one of the country’s most significant public collections. At its center is the Diego Rivera Court, named after the renowned Mexican painter and muralist who vividly portrayed social inequity, labor struggles and industrialization. “It rewards you every time you look at it,” said Selim. “There’s even a cheat sheet in the tile floor — little carved labels tell you what each panel depicts.” Rivera’s 1932 fresco of the Ford Rouge Plant stretches across four walls and grapples with the tensions between machines, myth, labor and land.

Nearby, “Quilting Time,” a large mosaic by Romare Bearden, pays tribute to communal labor and visual abstraction. “It is just a really stunning representation of community, of women coming together,” Selim said. “And the abstraction of the quilts is just spectacular.”

East of the museum, the Shepherd — a decommissioned Catholic church — has been converted into a contemporary art space by Library Street Collective, a Detroit-based organization known for turning historic buildings into community cultural hubs.

The current Shepherd show, “The Sea and the Sky, and You and I,” centers artists whose work “reflects on histories of landscape.” Among the works are three sculptures by Detroit artist Scott Hocking, who built the pieces from salvaged materials collected at a nearby marina. The artist “considers the cultural memory of the city and the material memory of the city,” said Allison Glenn, a Detroit native who curated the show.

The show, which runs through Aug. 30, also includes work by Midwest sculptor and activist Jordan Weber, whose installation features a spliced GTO Judge — a muscle car originally built by Black assembly line workers — emerging from the floor like a buried relic. The sculpture echoes Weber’s ongoing collaboration with Canfield Consortium, a local nonprofit in the East Canfield neighborhood, which has long grappled with industrial pollution from nearby auto factories. There, Weber installed an air-quality beacon and plans to plant a conifer forest to absorb airborne pollutants.

Public art like Weber’s builds on a long legacy of community-based arts efforts in Detroit. One of the most recognizable is The Heidelberg Project, started in the 1980s by artist Tyree Guyton, who transformed his family’s former home — and eventually two surrounding blocks left in disrepair after the 1967 uprising — into a colorful, ever-evolving wonderland.

For a different kind of spin through history, Submerge is home to the techno label Underground Resistance. Glenn calls it “the world’s first known techno museum.” The space includes a basement record store and rotating tours led by Detroit music legends like Jon Dixon and Cornelius Harris.

Across town, on the city’s West Side, the Dabls Mbad African Bead Museum spans an entire block. “The founder, Olayami Dabls, really appreciated the symbolic and cultural significance of beads within the African and African diasporic communities,” Selim said. “It’s a really cool artist-created environment.”

John K. King Used & Rare Books, located in a former glove factory just west of downtown, feels suspended in time. “Every sale is handwritten down in a ledger,” said Selim of the DIA. Pull-cord lights and floor-to-ceiling stacks make the browsing feel both intimate and endless. “You’ll always find something unique and interesting.”

Round out the day at Paramita Sound, a downtown wine bar and listening room that pairs vinyl sets with high communal tables and natural wine. “Even if you don’t want to talk to anyone,” said Glenn, “you’ll be socializing.”

BLOOMFIELD HILLS: Midcentury icons and palatial grounds

Set on more than 300 acres of landscaped grounds and landmark architecture, Cranbrook Art Museum in Bloomfield Hills beckons as a design destination and a place to wander. “People just explore the grounds for landscape architecture and sculpture,” said Laura Mott, chief curator of the museum. “It’s really just one of the gems of America.”

The current show, “Eventually Everything Connects: Mid-Century Modern Design in the U.S.,” is an ambitious exhibition that revisits the midcentury design canon. “We’ve done a lot of work excavating individuals who are diversifying American modern design,” said Mott. That includes a “textile forest” that hangs from the museum ceiling and walls and features works by such designers as Alexander Girard, Ruth Adler Schnee and Olga Lee. The show is on view through Sept. 21.

Cranbrook’s buildings themselves are also part of the draw. The museum was designed by Eliel Saarinen and opened in 1942. Visitors can also tour the Saarinen House, where Eliel and Loja Saarinen lived while the Cranbrook academy was established, or book a visit to Frank Lloyd Wright’s Smith House, one of Michigan’s best-preserved examples of Wright’s Usonian homes.

Bonus: Where to Stay

For those making a weekend of it, ALEO Detroit offers a low-key, art-forward stay in Detroit’s East Village. Warda Bouguettaya, a James Beard Award–winning chef, runs the breakfast program, and the on-site bar Father Forgive Me opens in the afternoon. “The balcony is right above the bar,” said Glenn. “It’s like your backyard, but with better lighting.” And funky, orange wine.

Or try The Siren Hotel, which offers a gilded, atmospheric experience. Set in a former 1920s high-rise, the chic design leans maximalist: velvet upholstery, terrazzo floors and heavy drapery.

Elly Fishman is a journalist and author whose work explores immigration, incarceration and American culture, including the arts. Her writing has appeared in the New York Times, GQ, Rolling Stone, WBEZ Chicago, among others. She is currently working on her second book, forthcoming from HarperCollins.





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A 1,000-Mile EV Road Trip Across Italy in a Polestar 3

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“It’s not quite like the Super Bowl,” said one of the staff members of the 2025 Mille Miglia to my very American question of equivalences. “But it is one of the biggest events in Italy. You will see the crowds.”

I got invited to do what is essentially Italy’s automotive Super Bowl (besides the Italian Grand Prix)—but with a twist. No, I wouldn’t be behind the wheel of some pre-1957 car as rules and tradition stated. Instead, I’d be piloting something unfashionably modern for the EV-only attachment of the iconic Mille: A 2025 Polestar 3, one of just seven official entrants, including five university testbed cars.



Photo by: Chris Rosales / Motor1

If that sounds like cowardice, I tend to agree. We would be in an air-conditioned, power-steeringed comfort, with a nice stereo to boot. Meanwhile, the rest of the brave souls on the rally would struggle against a radiating Italian summer, willing their historic machines to the finish line of the famous Brescia-to-Rome run.

But what I saw was an opportunity to put the proverbial feet to the fire of EV road tripping. Two questions had to be answered: Could you feasibly road trip an EV for an excruciatingly long, 12-plus-hour per day, five-day rally without worrying about charging? More importantly, would it be enjoyable?

For those who aren’t familiar, the Mille Miglia is a historic rally that used to run as an endurance race until 1957, when deaths and safety concerns forced a temporary shutdown. It was reborn as a regulation rally in 1977, which is a race against the clock, but also against a predetermined amount of time. The rally would consist of long point-to-point checkpoint stages that aren’t timed, then various competition stages where hitting an average speed and time was critical.

For example, a stage of 600 meters has to be completed in 24 seconds. Any faster or slower than 24 seconds would result in penalty points—and organizers measure to the hundredth of a second. The biggest challenge of the Mille isn’t these competitive stages, as modern rally computers do most of the average speed work. It’s simply getting to the end in a vintage car. That would not be an issue with our Polestar 3.



Photo by: Chris Rosales / Motor1



Photo by: Chris Rosales / Motor1

Still, my co-driver, Michael Van Runkle, and I were determined to conquer the competitive stages to truly see if an EV was worth road tripping. It would be a test of Italy’s charging infrastructure, the Polestar 3’s range and efficiency, and whether the pleasure of the open road is diminished by the need to charge.
The Mille would start in the northern Italian city of Brescia, head down through Tuscany to Rome, then glide along the east coast of Italy back to Brescia—a route of 1,000 miles, covered over five days.

Each day had its own road book with checkpoints and specific turn-by-turn instructions. Each road book warned us to prepare for 14-hour days of driving, with average stage lengths of 320 kilometers, starting at 5:00 am and ending at 7:00 pm—a far cry from Stirling Moss’s 1955 record of 10 hours, 7 minutes, and 48 seconds for the entire race.

With our liveried Polestar 3, alongside teammates in a Polestar 2 and 4, we departed Brescia with 87 percent charge, facing a 240-kilometer stage. We charged the night before to 100 percent, and lost a fair amount of charge transitioning from the charger to our hotel—a theme that would continue throughout the rally.



Photo by: Chris Rosales / Motor1

Still, with over 340 kilometers of range indicated, range anxiety never quite set in. In fact, it was largely smooth sailing. There was a police escort for most situations, which circumvented practically all traffic laws, and the crowds were genuinely enormous. Alongside our Green rally, the classic rally was the main attraction, as was a Ferrari owner’s run, which was open to new and more recent Ferraris.

Such was the disappointment from the crowds that we were not a group of fire-spitting V-12s; we received a fair amount of disapproval from locals. At our very first checkpoint, a man in the crowd yelled “No sound, no feeling,” into our open window. Thumbs down were the most common gestures directed at our Polestar, right after general indifference. Rock stars, we were not.

The first debacle came after we completed our uneventful kilometers. Our battery was depleted to 38 percent, a great showing for the Polestar. Yet, for all the effort that went into organizing a dedicated EV rally in the greater puzzle of the Mille, nobody seemed to think about the most critical part of driving an EV: Charging.

It may have been in the spirit of the rally to be self-sufficient, yet the first stop in Bologna had just a few high-speed EV chargers. The closest stations only had two stalls at one, and four at another. Chaos ensued, so we drove 20 minutes outside of Bologna to the suburb of Panigale, where a 14-stall charging station sat outside of Ducati’s factory. Crisis averted, but only temporarily.

At our very first checkpoint, a man in the crowd yelled ‘No sound, no feeling,’ into our open window. Thumbs down were the most common gestures directed at our Polestar, right after general indifference. Rock stars, we were not.

For all of the serenity of our days driving across Italy, enjoying Tuscany, Rome, and the many delights Italy had to offer, charging was a constant pain. Every night was a challenge on top of an already long day, leaving little room for rest. By day three, Van Runkle and I were in a sleepless haze of jet lag, struggling with charging after the incredibly long 380-kilometer stage from Bologna to Rome.

Our intermediate stop in Siena halted us for two hours, as everyone crowded around the only available EV chargers in a 50-kilometer radius. We got to Rome late and had to charge the car two kilometers away from the hotel. Day three presented similar horrors, a 346-kilometer run from Rome to Cervia.

While the Polestar 3 was a more than capable road trip partner with plenty of comfort, space, and performance, it was being let down by Italy’s charging infrastructure. Our haze was punctuated by genuinely once-in-a-lifetime experiences—chasing down a Ferrari SP3 on a tight backroad, witnessing the grand vistas and feudal towns of Tuscany, bombarding a country lane with pre-war cars that largely ignored the law—yet we dreaded charging every night.



Photo by: Chris Rosales / Motor1

Finally, on night three in Cervia, we encountered a broken charger that diverted us yet again. Rubbing salt firmly into the wound, our Polestar 3 suffered a malfunction in town that briefly bricked it, and with it, the charging system. We then had to reset the stricken EV at the charger, wasting another five minutes, before it would accept a charge.

It was with relief that days four and five reduced the onslaught considerably, halving the stage lengths. We finally got rest, peaceful, functional charging, and some reflection in.

The Polestar 3 was genuinely lovely at times, and extremely annoying at others. For all of its quietness and comfort, with excellent, supportive seats, the tech was frustrating. Having one central screen running most functions made simple tasks difficult, something we’ve noticed with a very similar system in the Volvo EX30. Though there was certainly no doubt it could boogie, with shockingly good handling and power.

Yet the lack of romance driving an EV had never been more glaring than in the most romantic race in the world. Literally, it goes to Rome. I remember less about driving the Polestar 3 than I do about the places I visited and the things I saw—which is almost romantic in its own way.

But without a vibrating, plucky, determined internal combustion engine, I never developed a kinship with it. For all of its cool Crate & Barrel-esque design, its stats, and the places it took me, the bond didn’t come naturally. Getting to the finish line in Brescia was more of a breathless gasp than a triumphant homecoming. I walked away from the car and hardly remembered its part in our trip, and that is the entire point of road tripping a car; the vehicle is a character, too.

Yet the lesson couldn’t be clearer: Don’t road trip an EV if you’re in a rush.



Photo by: Chris Rosales / Motor1



Photo by: Chris Rosales / Motor1

Answering the questions above: Was this rally feasible in the Polestar 3? Yes, it was. We made it to the end, even with janky charging infrastructure. Range anxiety during the day was virtually nonexistent. The actual issue was that the Mille was designed for gas cars, not EVs. The shorter days proved easy and fun, while the long days were made longer by hours of charging in anticipation of tomorrow’s stage.

But was the Mille enjoyable in an EV? Well, I thought about that deeply as I stared at a two-person crew manhandling a 1930 Bentley Blower up a mountain pass, reaching out of the infernal thing to operate its various controls. If enjoyable is being in that pain for 12 hours a day rather than the air-conditioned serenity of the Polestar, then you’re a masochist.

I think I’d rather be a masochist.



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PHLY NHL Road Trip- California Takeover with Philly Sports Trips

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March 22, 2026

All day

For the Diehards- Fly West for the Ultimate Away Game Experience with John LeClair!

We’re heading to the West Coast for the Ultimate Flyers Experience with two games against the Anaheim Ducks at Honda Center and then the Los Angles Kings at Crypto.com Arena!

Join PHLY & Philly Sports Trips and Flyers Legend, John LeClair, for the ultimate road trip as we take our Flyers diehards cross-country to sunny California!

This trip is a must for Flyers fans of all ages. The trip package includes optional round-trip direct flights from Philadelphia to California, a 5-night hotel stay at the beautiful Sandbourne Santa Monica, meet and greet with Flyers Legend, John LeClair, group tickets to two games, Flyers watch party, and much more. Plus, Philly Sports Trips dedicated team of trip coordinators will be on-site ensuring you get the most of your experience. This trip will be a California vacation with a Flyers win to top it all off. 

Game Information

The Philadelphia Flyers will take on the Anaheim Ducks on March 18, 2026 at Honda Center at 7:00PM Pacific Time. The following day, the Flyers will take on the Los Angeles Kings at Crypto.com Arena at 7:30PM Pacific Time.

Itinerary at a Glance

Tuesday, March 17 – Travel Day to California & Check-In to Hotel

Wednesday, March 18 – Meet and Greet with John LeClair & Game Day in Anaheim

Thursday, March 19 – Game Day in LA

Friday, March 20 – Free Day to Enjoy the Beach

Saturday, March 21 – Stay at the Beach & Flyers vs San Jose Watch Party

Sunday, March 22 – Fly home to Philadelphia





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Every burning question about naked cruise ship holidays

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Like regular cruises, just with less clothes (Picture: Getty Images)

We all want to let our hair down on holiday. But some people are letting everything go, even their underwear.

Nude cruises – or ‘nakations at sea’ – are booming, as a growing number of travellers leave their inhibitions at home.

But, if you’re picturing a sweaty free-for-all on deck, or passengers hooking up left, right and centre, think again. 

Travel company Bare Necessities has been taking passengers sans clothing on week-long cruises to the Caribbean and beyond since 1991.

The demand has risen dramatically over the last 30 years. The first-full nude cruise began with a 30-passenger dive boat in the Bahamas, now they operate 2,000 person cruises on huge Vessels ran by top cruise companies like Carnival and Holland America.

And from departure to dock, they’re non-sexual. In fact, naturist cruising comes with its surprisingly strict rules.

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Curious? Metro looks at six unexpected things that happen on a nude cruise. 

1. Do all passengers have to be nude?

Despite what the name suggests, you’re not actually required to strip off.

While many passengers will be clothes-free while sunbathing, swimming or lounging around, you won’t get booted off for covering up. 

Bare Necessities welcomes newcomers, and there’s a casual and accepting vibe.

However, the website does warn that most passengers find themselves more relaxed and withholding less of who they are without the barrier of clothing. Got it.

2. Is clothing ever required?

If you’ve booked a nude cruise, you might be tempted to pack light. But don’t go overboard: you’ll need to bring a few bits along with you. 

On Bare Necessities cruises, clothing is required in certain areas. That includes the dining room, where all meals are served.

According to the website, casual attire is fine, but you can’t use bathrobes to cover up.

Nude cruises have strict towel policies (Picture: Getty Images)

Passengers must also cover up while docked alongside a port or beside other ships in a port.

When the ship is at sea, or anchored in a port, it’s fine to bare all, unless an announcement has been made to say otherwise. 

So, bring a full suitcase (and plenty of sunscreen).

3. Are the staff nude too?

If you’re expecting everyone to be in the buff, you’ll be disappointed.

Staff members, including cruise singers, cleaners, and the Captain, are all clothed, so it’s never a fully nude cruise. 

You might be stark naked while ordering a piña colada, but the bartender will be fully dressed. 

4. Do cruises even use towels?

One thing you can probably leave behind is a towel. 

Cruise operators ask passengers to always sit on a towel if they’re naked, whether it’s on a sun lounger, a bar stool, or eating at the cruise buffet. 

Towels are provided as an unofficial naturist dress code throughout the ship. There’ll be fresh beach towels in your room and stacks of smaller towels on board.

5. Everyone’s just having sex, right? 

No. At least, not blatantly. 

You can expect normal cruising activities on board (Picture: Getty Images)

Since there’s nudity involved, many passengers assume things might get a little frisky. But you’re on the wrong cruise if you’re expecting anything like that to happen. 

Naturist cruises are different to swingers of Lifestyle cruises, which allow sexual exploration and intimate encounters. (There are plenty of companies that offer this style of cruising, if that’s more up your street).

Sexual behaviour in public spaces is prohibited and will get you kicked off.

Lingerie, fetish-wear and ‘excessive’ genital jewellery are also banned, according to Bare Necessities’ rules. The goal is about body positivity, nothing else. 

6. Do the usual cruise activities still take place?

From dance classes to karaoke, pool games, music and excursions, a nude cruise still offers all the classic cruise activities, just minus the clothes.

Although you’ll probably not see any conga lines or line dancing without a single item of clothing on. 

When do passengers have to be clothed on a nude cruise?

On Bare Necessities nude cruises, there are a few situations that require clothing, including:

  • When locals come aboard smaller charters to perform
  • While docked in port
  • In the main and specialty dining rooms 
  • During the Captain’s reception/ introduction 

Do you have a story to share?

Get in touch by emailing MetroLifestyleTeam@Metro.co.uk.



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